Vidi Aquam [satb + piano]
Commissioned work for mixed chorus and piano, with brief solo sections featuring mezzo and baritone. The work was premiered by the Da Camera Singers at Helen Hills Hills Chapel on January 20, 2012. For facsimiles of the texts, see below.
From the program note for Vidi Aquam by Da Camera Singers director, Sheila Heffernon:
The text for Vidi Aquam comes from an unusual source. In the sixteenth century a group of Italian Catholic reformers (The Spirituali), wrote a book postulating the idea that salvation came simply through “faith alone.” This idea shook the foundation of the Catholic Church, and helped spur on the Reformation. The treatise, Del Beneficio di Giesu Christo Crocifisso was secretly passed from one member of the Spirituali to another, until it found a wider audience. In 1552 the original Italian was translated into French, with an introduction; from the French it was translated into English in 1575. It is from the English translation of the French introduction that Brown took his text for Vidi Aquam. The title comes from the chant that he incorporates into the setting of his text. The composer states: “The chant Vidi Aquam was a natural choice as a framing device for two reasons: firstly, the text of Vidi Aquam speaks to the notion of sola fide . . . secondly, the recurring images of water within the translator’s introduction invited connections to a chant with water as its main image.”