Editor of a new edition of Claude Le Jeune’s Revoicy venir du printemps, with a discussion of the text and performance issues. Available online from GIA.
Producer, editor, and featured composer on Athens Guitar Trio’s 2008 album, Emergence.
Firm Footing in the Heavens and Faltering Steps on Earth: Harmonic Language as Word-Painting in Brahms’s “Gesang der Parzen” — Final paper written for a late-romantic theory course focusing on neo-Schenkerian and neo-Riemannian aspects of Brahms’s Gesang der Parzen. Presented at the UGA Music Research Symposium 2006 and at the ACDA National Convention in Miami as part of a poster session. Later revised and published in The Choral Scholar (see above).