Frost and Fire draws on themes of solstice and advent - seasons of stillness and waiting. The 2025 program will feature Scott Ordway's North Woods, written for Lorelei, and the world premiere of arrangements by Laura Jobin-Acosta, Greg Brown, and Jocelyn Hagen as well as a new work chosen from a call for scores from rising women, trans, and nonbinary composers. Medieval chant, early-renaissance polyphony, and American folk tunes and hymnody round out the 70 minute program.

Frost and Fire draws on themes of solstice and advent - seasons of stillness and waiting. The 2025 program will feature Scott Ordway's North Woods, written for Lorelei, and the world premiere of arrangements by Laura Jobin-Acosta, Greg Brown, and Jocelyn Hagen as well as a new work chosen from a call for scores from rising women, trans, and nonbinary composers. Medieval chant, early-renaissance polyphony, and American folk tunes and hymnody round out the 70 minute program.

Frost and Fire draws on themes of solstice and advent - seasons of stillness and waiting. The 2025 program will feature Scott Ordway's North Woods, written for Lorelei, and the world premiere of arrangements by Laura Jobin-Acosta, Greg Brown, and Jocelyn Hagen as well as a new work chosen from a call for scores from rising women, trans, and nonbinary composers. Medieval chant, early-renaissance polyphony, and American folk tunes and hymnody round out the 70 minute program.

Frost and Fire draws on themes of solstice and advent - seasons of stillness and waiting. The 2025 program will feature Scott Ordway's North Woods, written for Lorelei, and the world premiere of arrangements by Laura Jobin-Acosta, Greg Brown, and Jocelyn Hagen as well as a new work chosen from a call for scores from rising women, trans, and nonbinary composers. Medieval chant, early-renaissance polyphony, and American folk tunes and hymnody round out the 70 minute program.

Frost and Fire draws on themes of solstice and advent - seasons of stillness and waiting. The 2025 program will feature Scott Ordway's North Woods, written for Lorelei, and the world premiere of arrangements by Laura Jobin-Acosta, Greg Brown, and Jocelyn Hagen as well as a new work chosen from a call for scores from rising women, trans, and nonbinary composers. Medieval chant, early-renaissance polyphony, and American folk tunes and hymnody round out the 70 minute program.

As part of The 54th Annual Conference of the International Double Reed Society, Takin Souls Duo presents new music for Mezzo-Soprano and Bassoon

Megan Ihnen, mezzo-soprano
Darrel Hale, bassoon

Full program:

Washing Water Buffalo in the Ocean (2020)

Gregory W. Brown (b. 1974)

The Wind Will Takes Us (2019)

Niloufar Iravani (b. 1990)

Millay Songs (2020)
I. Figs from Thistles: First Fig
II. I think I should have loved you presently (Sonnet IX)
III. Ebb
IV. Afternoon on a Hill
V. Figs from Thistles: First Fig Reprise

Dana Kaufman (b. 1992)

White Ash (2019)

Mara Gibson (b. 1972)

Everybody’s a Picasso (2022)

Eric Malmquist (b. 1985)

Join Calliope’s Call for an enchanting evening of art songs featuring the timeless poetry of Emily Dickinson and Edna St. Vincent Millay, two iconic voices of New England. This program highlights celebrated works of Lori Laitman, Margaret Bonds, Greg Brown and H. Leslie Adams, alongside the brilliant works of contemporary composers, chosen from Calliope's Call's prestigious Call for Scores competition. Experience the fusion of evocative poetry and innovative music, as each piece brings to life the words of these literary giants, deeply rooted in the landscapes and spirit of New England.

Tickets: https://www.zeffy.com/ticketing/2025-emily-and-edna-admission-amherst

Join Calliope’s Call for an enchanting evening of art songs featuring the timeless poetry of Emily Dickinson and Edna St. Vincent Millay, two iconic voices of New England. This program highlights celebrated works of Lori Laitman, Margaret Bonds, Greg Brown and H. Leslie Adams, alongside the brilliant works of contemporary composers, chosen from Calliope's Call's prestigious Call for Scores competition. Experience the fusion of evocative poetry and innovative music, as each piece brings to life the words of these literary giants, deeply rooted in the landscapes and spirit of New England.

Tickets: https://www.zeffy.com/ticketing/2025-emily-and-edna-admission

Faculty Concert: Jamie-Rose Guarrine, soprano with Martha Fischer, piano

Fischer is the Head of Collaborative Piano and Associate Director of the Mead-Witter School of Music at the University of Wisconsin-Madison.

This concert is in preparation for an album recording and release- New Songs from New England, on the PARMA label, to be released Dec. 2025.

The repertoire includes newly commissioned works by Greg Brown and Scott Gendel, as well as music by New England women composers Gwyneth Walker, Alice Parker, and Juliana Hall. All the repertoire is by New England composers or poets.

Bezanson Hall

Free

Mary Hubbell, soprano, presents a recital of modern art song, including world premieres by Alice Jones and Sarah Rimkus. Also featuring works by Ronald Perera and Gregory W. Brown. With Christina Wright-Ivanova, piano, and Alice Jones, flute.

Bezanson Hall, University of Massachusetts, Amherst

Free

Purchase tickets

$20 general admission
Students free (ticket required)

Mead Witter School of Music Guest Artist Series

Jamie-Rose Guarrine, soprano
Martha Fischer, piano

……

Soprano Jamie-Rose Guarrine is acclaimed for her “utterly thrilling, agile voice” and praised for bringing “pathos, beauty, and heartbreaking skill” to her performances. She has performed on the stages of Los Angeles Opera, Minnesota Opera, The Santa Fe Opera, Wolf Trap Opera, Opera Philadelphia, Chicago Opera Theater, Austin Opera, Utah Opera, Fort Worth Opera, and on the concert stage with the Madison Symphony, the Saint Paul Chamber Orchestra, the Santa Fe Chamber Music Festival, The National Symphony Orchestra of Costa Rica, and the Santa Fe Symphony, among many others.

An accomplished interpreter of Mozart opera, Guarrine has been seen at the Austin, Utah, Minnesota, and the Florentine Operas in her signature role of Susanna in Le nozze di Figaro, and “delivered a lovely Pamina, singing with warmth, depth, and relaxed power” in Mozart’s Die Zauberflöte (Milwaukee Journal Sentinel). Additional career highlights include Poppea in Handel’s Agrippina at Opera Omaha, the title role in Lucia di Lammermoor at Opera Saratoga, and a return to Minnesota Opera for Strauss’ Arabella, where she “traversed the Fiakermilli’s coloratura flights with ease and clarity” (Opera News).

Her diverse performance repertoire ranges from the masterworks of Bach, Handel, and Mozart, to modern works such as the roles of Xanthe/Aphrodite in Mark Adamo’s Lysistrata and Maria Celeste Philip Glass’ Galileo Galilei. In the fall of 2017 she created the role of “Fury” in Julian Wachner’s Rev.23 for performances in Boston at John Hancock Hall, New York at Trinity Wall Street, and National Sawdust in Brooklyn. Dr. Guarrine’s debut album, Transparent Boundaries: Songs Set to the Words of Dickinson, Whitman & Emerson, featuring newly commissioned works by Lori Laitman, Daron Hagen, and Scott Gendel, debuted in 2020 on the PARMA label and all streaming platforms, and was featured in numerous publications including Gramophone Magazine. She is frequently seen in concert, as a collaborator at chamber music festivals, and in recital, and proudly serves as Associate Professor of Voice at the University of Massachusetts Amherst.

The repertoire includes newly commissioned works by Greg Brown and Scott Gendel, as well as music by New England women composers Gwyneth Walker, Alice Parker, and Juliana Hall. All the repertoire is by New England composers or poets.

In a return to the evocative settings of Buchanan Chapel (Feb 1) and the Epiphany Catacombs (Feb 2), CME presents “Sola Fide.” This performance invites audiences on a profound journey through shared musical meditation. At the heart of the program is the large-scale premiere of a new work by composer Gregory W. Brown, with texts by Maggie Dietz. These concerts will explore the ideals and limitations of faith, offering a unique and immersive experience in two stunning venues.

https://www.constellationensemble.org

In a return to the evocative settings of Buchanan Chapel (Feb 1) and the Epiphany Catacombs (Feb 2), CME presents “Sola Fide.” This performance invites audiences on a profound journey through shared musical meditation. At the heart of the program is the large-scale premiere of a new work by composer Gregory W. Brown, with texts by Maggie Dietz. These concerts will explore the ideals and limitations of faith, offering a unique and immersive experience in two stunning venues.

https://www.constellationensemble.org

Portsmouth Pro Musica will perform a commissioned work by Greg Brown that celebrates Priscilla French’s 40 years of choral conducting. Based on poetry by Mimi White, it is called “Where the Owl Lives.”

Details about the full program will be coming soon.

Portsmouth Pro Musica will perform a commissioned work by Greg Brown that celebrates Priscilla French’s 40 years of choral conducting. Based on poetry by Mimi White, it is called “Where the Owl Lives.”

Details about the full program will be coming soon.

​Nightingale Vocal Ensemble presents the New England premiere of Gregory Brown's 2017 cantata un/bodying/s in Boston and Amherst, MA on Oct 19/20, 2024. The piece, scored for 24 voices and set to text by local New England poet Todd Hearon, explores the history and future of the four 'drowned towns' that were 'disincorporated' to make way for the Quabbin Reservoir and provide water for Greater Boston. In providing water for our cities the difficult choices of the past ripple into the future as we confront our shared climate crisis. Also on the program will be Land-locked for double-choir, along with historic and modern works from the shape-note tradition. Project produced by Ben Perry and Greg Brown.

Tickets: https://www.eventbrite.com/e/blue-sun-tickets-991484997317?aff=oddtdtcreator

​Nightingale Vocal Ensemble presents the New England premiere of Gregory Brown's 2017 cantata un/bodying/s in Boston and Amherst, MA on Oct 19/20, 2024. The piece, scored for 24 voices and set to text by local New England poet Todd Hearon, explores the history and future of the four 'drowned towns' that were 'disincorporated' to make way for the Quabbin Reservoir and provide water for Greater Boston. In providing water for our cities the difficult choices of the past ripple into the future as we confront our shared climate crisis. Also on the program will be Land-locked for double-choir, along with historic and modern works from the shape-note tradition. Project produced by Ben Perry and Greg Brown.

Tickets: https://www.eventbrite.com/e/blue-sun-tickets-991483201947?aff=oddtdtcreator

Mezzo-soprano Megan Ihnen employs her formidable talents as a 21st-century vocalist to shine a light on a varied array of contemporary composers with CURRENTS IN TIME. This program showcases the profundity of the human voice in a prime selection of modern compositions from the 2022 Navona Records release, whose lyrical foundations are as diverse as the emotional states transported: from grief to joy, modesty to hubris, and self-doubt to unshakable faith and valor.

Baylor website: https://music.baylor.edu/event/2024/1534470

Mezzo-soprano Megan Ihnen employs her formidable talents as a 21st-century vocalist to shine a light on a varied array of contemporary composers with CURRENTS IN TIME. This program showcases the profundity of the human voice in a prime selection of modern compositions from the 2022 Navona Records release, whose lyrical foundations are as diverse as the emotional states transported: from grief to joy, modesty to hubris, and self-doubt to unshakable faith and valor.

UNT website: https://calendar.unt.edu/event/faculty-recital-darrel-hale-bassoon-megan-ihnen-voice?utm_campaign=widget&utm_medium=widget&utm_source=University+of+North+Texas

Feathers will be a part of this extraordinary event:

“Join us for a dynamic, participatory journey, co-presented by the Cathedral of St. John the Divine and Sound Mind Live.

Immerse yourself in a symphony of sound & excitement, where the convergence of community, immersive sound, music, and movement unite in electrifying harmony. In celebration of World Understanding & Peace Day, the Cathedral transforms into a haven for an exploration of music, sound, healing, and the celebration of deeper human connection.

The experience unfolds with a collective improvisational vibrant harmony that emerges as people come together in community. The Cathedral will come alive with a sonic dance between audience and musician - infusing the space with melodic magic that reflects the full range of human emotion and culminating in an ethereal sound bath. All of which will take place under Divine Pathways, Anne Patterson’s breathtaking textile installation.

Sound Mind Live is a nonprofit dedicated to fostering community, dialogue, and action on mental health through the power of music.

Crafted by visionary artist and composer Ricardo Romaneiro. Co-created and guided by the acclaimed Nick Demaris, also known as Human Instruments, as well as Bloom Sound Collective. Special closing communal sing by Gaia Music Collective led by Matt Goldstein and Kenter Davies.”

My new adaptation of the shape-note tune How Splendid Shines the Morning Star will be part of Voices of Concinitty’s upcoming “Candlelight: A Choral Tapestry to Illuminate the Season”.

“Music for Humanity Concerts presents Voices of Concinnity in concert, "Candlelight: A Choral Tapestry to Illuminate the Season." Celebrate the season with Concinnity’s candlelight holiday concert, full of luminous choral music, holiday favorites, and an audience sing-along. No Admission Charge – all donations support Hands on Hartford.”

Details on facebook: https://www.facebook.com/events/665943555673603?ref=newsfeed

The New Consort presents: Begotten, Not Made explores what the words and music of the Christian Mass have to say to the 21st century, and how future generations might respond to those ideas. The New Consort has paired movements from William Byrd’s landmark Masses (honoring the 400th anniversary of his passing) with settings of texts from other faith traditions and from scientists & philosophers, including works by Shireen Abu Khader, Salamone Rossi, David Shapiro, Judith Weir, and Gregory Brown. At the heart of this program is a world premiere by Hope Littwin, a current PhD student in composition at Princeton: Stations of the Credo, a staged work exploring a core belief held by each singer of the ensemble.

The New Consort presents: Begotten, Not Made explores what the words and music of the Christian Mass have to say to the 21st century, and how future generations might respond to those ideas. The New Consort has paired movements from William Byrd’s landmark Masses (honoring the 400th anniversary of his passing) with settings of texts from other faith traditions and from scientists & philosophers, including works by Shireen Abu Khader, Salamone Rossi, David Shapiro, Judith Weir, and Gregory Brown. At the heart of this program is a world premiere by Hope Littwin, a current PhD student in composition at Princeton: Stations of the Credo, a staged work exploring a core belief held by each singer of the ensemble.

The New Consort presents: Begotten, Not Made explores what the words and music of the Christian Mass have to say to the 21st century, and how future generations might respond to those ideas. The New Consort has paired movements from William Byrd’s landmark Masses (honoring the 400th anniversary of his passing) with settings of texts from other faith traditions and from scientists & philosophers, including works by Shireen Abu Khader, Salamone Rossi, David Shapiro, Judith Weir, and Gregory Brown. At the heart of this program is a world premiere by Hope Littwin, a current PhD student in composition at Princeton: Stations of the Credo, a staged work exploring a core belief held by each singer of the ensemble.

The Portsmouth Symphony Orchestra’s opening concert will bring Portsmouth’s 400th anniversary celebrations to a pinnacle with the world premiere of At This Point. This commemorative commissioned piece delves into the full range of Portsmouth’s history by exploring the streets and stories of our time, while also reaching back to what Portsmouth may have looked and felt like before it was Portsmouth, before it was the homelands of the Abenaki people, or before man walked on this earth. Composed by Gregory Brown with words by Todd Hearon, this extensive work will feature Portsmouth Pro Musica, a soprano soloist, and a narrator. The program will also feature the Fanfare for the Uncommon Woman by Joan Tower, a work that is dedicated to one of the most inspiring conductors of our age, Marin Alsop, who helped push boundaries for women in music. Also featured is William Grant Still’s Afro-American Symphony, a true piece of musical Americana deserving of a place among the great American symphonies.

Found in the Storm :: chamber music of Gregory W. Brown

Bowld Recital Hall at Phillips Exeter Academy

An afternoon of new music for piano, strings, and voice by composer Gregory W. Brown. Featuring world premieres of art songs with texts by poet Dorianne Laux, Exeter poet Todd Hearon, and a new String Quartet. The concert will feature performances by Calliope's Call artists Megan Roth and Evangelia Leontis, soprano Mary Hubbell, pianist Christina Wright-Ivanova, and the Apple Hill String Quartet.

Mary Hubbell and Alice Jones perform 20th and 21st century music for soprano and flute, including a world premiere by Gregory W. Brown

NB — this event is at a private residence

Fabric of Streams and Then will be performed by Voices Tallin at a plenary session of the College Music Society’s international conference in Tallin, Estonia, under the direction of American conductor David Puderbaugh.

Soprano Jamie-Rose Guarrine presents an eclectic program of 19th/20th/21st century music, including my soprano/cello duo — Moonlight is Very White.